The posts in this section were imported from my previous blog host. Anything posted prior to 4/22/23 can be found here. Use the search function above to search by book title, author, genre, age category, or whatever else you’d like to search by to find what you’re looking for. Unfortunately, some of the easier to search functions (like tag clouds, or my filed listings of reviews by author or genre) did not transfer so great. So this is what I have. If you have any questions, feel free to contact me.

A Flame in the Night by Morgan Dante

Published: April 11, 2023Publisher: SelfAuthor: WebsiteInfo: Goodreads

The start of bloody decadence...The definition of marriage: Two people and their silver-haired vampire.In 1924, Paris is a bastion of sexual freedom, even for shell-shocked Leon Laflamme, the most dramatic blond this side of the Seine. After years of loneliness and secrecy, he's married the clever and sumptuous burlesque dancer Claire. However, Leon truly finds liberation when he meets the stoic, intriguing, and silver-haired Count Matthias, who offers true freedom in his dark gift: immortality. (goodreads.com)

I'm just a hair shy of saying the florid writing of A FLAME IN THE NIGHT was too much for me, but most of the time it created a sumptuous scene that was just luscious to read. It did occasionally lose itself in the language, though, as I had a hard time working my way through some of the sentences and certain scenes, especially the sex scenes because the descriptions got a little boggy. It sometimes slowed the reading down to the point where I got a little lost in what was happening.Dante nails painting vivid characters from the moment they step on the page. Claire and Leon and Matthias were all fully formed using so few words. In their cadence of speech, how they viewed the world, and how they interacted with each other. The development there was enviable.The pacing was a little slow, which is kind of surprising for such a short book. There is a lot of character setup and their interaction with Matthias, and getting to the point of his story arc, took more than half the book to get to. As a result, the ending felt rushed, albeit it satisfactory. I liked where the story went and how the arc was resolved. I liked the realization of just how shallow the monster now lives under their skin and how they now must control it forever. It creates a good cyclical plot. Leon and Claire were running from monsters, and they ended up fighting fire with fire.If you're looking for a lush read that's sexy as hell (those sex scenes were something else) that's worth the payoff of a slower start to the plot, you'll like A FLAME IN THE NIGHT.3.5I received a copy of this book from the author in exchange for an honest review.

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In Nightfall by Suzanne Young

Published: 3/28/23Publisher: Delacorte PressAuthor: WebsiteInfo: Goodreads

Theo and her brother, Marco, threw the biggest party of the year. And got caught. Their punishment? Leave Arizona to spend the summer with their grandmother in the rainy beachside town of Nightfall, Oregon--population 846 souls.The small town is cute, when it's not raining, but their grandmother is superstitious and strangely antisocial. Upon their arrival she lays out the one house rule: always be home before dark. But Theo and Marco are determined to make the most of their summer, and on their first day they meet the enigmatic Minnow and her friends. Beautiful and charismatic, the girls have a magnetic pull that Theo and her brother can't resist.But Minnow and her friends are far from what they appear.And that one rule? Theo quickly realizes she should have listened to her grandmother. Because after dark, something emerges in Nightfall. And it doesn't plan to let her leave. (goodreads.com)

I had to give myself a little time before reviewing IN NIGHTFALL. I was so far into my feels with it I needed a passport to get back. I am all for Lost Boys-inspired books. It's pretty much a guarantee that I will pick it up. It's how I found the Blood Coven series by Mari Mancusi (after a referral from a friend) and MAYHEM by Estelle Laure. GIVE. IT. TO. ME. So when I saw that IN NIGHTFALL was Lost Boys-inspired, I went YES.Until I read the blurb.Why did the blurb take be aback? Because it's basically the plot of The Lost Boys. Down to moving from Phoenix to a small beach town in California, I mean Oregon. Commence rage.No, Donna! Don't! Don't judge it until you can read it! That might not be the case!So I read the first chapter preview.There was more rage.Why? Because it's the opening credits scene of The Lost Boys. Nearly to a T.THINGS AREN'T LOOKING GOOD.I'd requested the book as soon as I heard about it back in July or August. I just got the approval for it in March and I immediately started reading because I had to know.I HAD TO.And????I'll start with what I liked about it:Divorced from its source material, it's exactly the sort of YA horror I've been looking for in the current market. Not too deep, kind of kitschy, fun, spooky, underlying creepy. An all around good time. Doesn't require too much thought and gives me exactly what I was looking for. In that aspect, it nailed The Lost Boys right on the head.Unfortunately, it nailed everything else about The Lost Boys right on the script.IN NIGHTFALL isn't an homage to The Lost Boys. It's not inspired by. It IS. Young did not deviate from the plot of the movie at all. So readers, if you're familiar with The Lost Boys, you will know the entire plot of this book before even picking it up. You will know which character is which, what happens to who, every twist and turn, and how it ends. You already know how this book pans out. There aren't Lost Boys easter eggs in here. It's the whole damn rabbit. Characters, actions, scenes, character motivations, the blood-sucking Brady Bunch. It's all there.What's different about it? It takes place in Oregon and the vampires are chicks. That's about it.It's The Lost Boys without the personality of The Lost Boys. Gone is Joel Schumacher's sexiness, the dark undercurrent of the story wrapped in a pseudo-happy-go-lucky veneer, and the flash genius in the frying pan of the 80s to do something wholly unique. IN NIGHTFALL ends up being a pale, bland knock off that's disappointingly straight. Where Schumacher's movie was throbbing with queer subtext, Young's book gives mid-teens YA vibes in its heteronormativity. Of course, I can't forget the Frog brothers, I mean the gay podcasters that are the token gay comedic relief that exist to serve the main character. I've literally read better, more inventive TLB fanfic (and I've read A LOT of TLB fanfic). This book screams self insert Emerson sister fic.I was so, so hopeful that Young was going to do something different with it. Killer mermaids or sirens or selkies or something. Do something to make it actually her own story. Those were the vibes I was getting for the first, like, third of the book. NOPE. It's The Lost Boys, slightly tweaked.Who is this book supposed to be for? Because when the blurb is using comps like The Lost Boys and Buffy, are today's teens going to know what any of that is? Probably not, unless they have parents with taste. Those comps are for people my age, because this YA book isn't really being sold to teens, now is it? Says the teen librarians themselves, books like this are being written for the adults who buy them, not the teens who read them. The thing is, IN NIGHTFALL is actually a great book to fit in that space. The MC doesn't even have her license yet. This is actually a fantastic YA book FOR TEENS. But the marketing is targeting the nostalgia of the people with the bank accounts. I'm sure teen readers, especially younger teen readers, would love this book, but it has nothing to do with The Lost Boys or Buffy.It's just getting old that publishers are getting so risk averse with what they put out that they just keep regurgitating the same thing because it's safe. Young, with her impressive backlist, is as safe and as sure of a bet as one can get in publishing, which is why we're here. Her writing is fine. It's nothing to write home about, but she can string a sentence together. It gets the job done and moved me from one end of the book to the other. But this safety also guarantees that instead of a unique take on The Lost Boys, something that is genuinely a hat tip to the movie but stands on its own and speaks to a newer author's imagination and verve, we get barely conceived fanfiction that doesn't do anything with the source material except follow the movie's plot. I'll just watch the movie, thanks.PS: Where the hell does Buffy come into this? The fancy dress and vampire-staking at the end? Bit of a stretch.1.5I received a copy of this book from the publisher through NetGalley in exchange for an honest review.

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Hanging with Vampires by Insha Fitzpatrick

Pub Date: March 28, 2023Publisher: Quirk BooksAuthor: WebsiteInfo: Goodreads

Are vampires real? Who was Vlad the Impaler? Do vampire bats ever feed on humans? Find out in Hanging with Vampires, a field guide for the curious and the adventurous. Crack open the lid on this guide and you’ll get:Bloodcurdling vampire mythology! What exactly is a vampire, anyway?Spine-chilling history and science! Uncover how the vampire legend got its start in the medieval ages.A who’s who of vampires! Get to know classic, iconic, and terrifying vampires in pop culture, from Dracula to Adventure Time.Hanging with Vampires is the first book in the Totally Factual Field Guide to the Supernatural series, a hilarious and haunting exploration of how myths and legends shape our lives. Sink your fangs into vampire lore and literature with enchanting illustrations and fun activities, like making garlic bread. It’s a spooky world out there–grab your guide, and let’s go! (goodreads.com)

Oh, my heart! This book is divine. I can't say enough good things about it.The art is superb. A hint spooky, a hint goofy, and completely darling. It balanced the topic at hand nicely.And the content is completely on the nose. A super high level look at the concept of vampires throughout history, with some scientific explanations thrown in, is a great introduction to the supernatural for anyone who's interested.My favorite part was when it got to vampires in film, and it got into Twilight. I was choking down the full page write up on what the movie was about, until I turned that page and read the full page caveat about how it's a problematic movie and why critics of it will say it is. I LOVED IT. And then the whole following section about the growing diversity around vampires and how not diverse the myth was until very recently. It's pretty much impossible not to talk about vampires in cinema without talking about Twilight, and I think Fitzpatrick addressed all that wonderfully.HANGING WITH VAMPIRES approaches topics like intersectionality, the value of representation in literature and film, and the deeper dives behind the cultural meaning of the vampire throughout history in a way that's understandable and relatable and puts things into context. It provides just enough nuance that, if a reader wanted to look deeper into a particular topic, the author has given that reader just enough of a hint as to where to go from there. Loved it.Unfortunately, that means it will likely get banned because Fitzpatrick deigned to bring a "woke" attitude to a classic creature. We don't want to indoctrinate our children, you hear? 🙄 <-- That's an eye-roll emoji in case you can't see it.This book is a great starting place for those new to the lore, young or old. The tone of the book is fun and upbeat, but it doesn't shy away from more difficult topics and some of the deeply rooted issues surrounding vampire lore. If you know of anyone who's toeing the line of the supernatural, HANGING WITH VAMPIRES is for them, regardless of age. Plus Fitzpatrick talks about two of my favorite movies: The Lost Boys and Vampires vs the Bronx. So of course it's fantastic. 😁5I received a copy of this book from the publisher in exchange for an honest review.

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Where Darkness Blooms by Andrea Hannah

Published: February 21, 2023Publisher: Wednesday BooksAuthor: WebsiteInfo: Goodreads

The town of Bishop is known for exactly two things: recurring windstorms and an endless field of sunflowers that stretches farther than the eye can see. And women—missing women. So when three more women disappear one stormy night, no one in Bishop is surprised. The case is closed and their daughters are left in their dusty shared house with the shattered pieces of their lives. Until the wind kicks up a terrible secret at their mothers’ much-delayed memorial.With secrets come the lies each of the girls is forced to confront. After caring for the other girls, Delilah would like to move on with her boyfriend, Bennett, but she can’t bear his touch. Whitney has already lost both her mother and her girlfriend, Eleanor, and now her only solace is an old weathervane that seems to whisper to her. Jude, Whitney's twin sister, would rather ignore it all, but the wind kicks up her secret too: the summer fling she had with Delilah's boyfriend. And more than anything, Bo wants answers and she wants them now. Something happened to their mothers and the townsfolk know what it was. She’s sure of it.Bishop has always been a strange town. But what the girls don’t know is that Bishop was founded on blood—and now it craves theirs. (goodreads.com)

There are going to be spoilers in this review. I don't think I can talk about the issues I had with it without spoiling. So if you don't want to be spoiled, stop reading now.WHERE DARKNESS BLOOMS is Children of the Corn but with grown ass men instead of kids and sunflowers instead of corn. It certainly has the threads of being creepy but the motives, the underlying theme, and the character development all make this story fizzle out to little more than a disappointing deflated balloon.The underlying theme of Handmaid's Tale-esque subjugation of women (in this case without the forced birth and with ritualistic slaughter) is just a tired trope at this point, made all the more tired because we're still dealing with this nonsense today. So if the author isn't doing something particularly inventive with it, it's just old and boring and I absolutely found myself thinking "oh, this again?" when I was reading. From the intro I hoped it wasn't going to just be women and that the dude's wife was just convenient, but nope. It's women in perpetuity. So that's cool.When we discover that the girls' mothers are still alive, I was hoping for them to be incapacitated somewhere, but nope. They're all living together in a house, just sitting around and gardening, waiting for the day their daughters come through the corn, I mean, sunflower stalks to safety on their own. And the reason they didn't do anything? The sunflowers wouldn't let them. I'm sorry, what? The thing was, there was no reason for them leaving their daughters behind. They just up and left and saved themselves and hoped nothing bad would come of their kids. I'M SORRY, WHAT? And the girls were like oh yeah, totally. That's fine. We're cool. No worries. It was so absurd and so beyond the realm of suspension of disbelief that I couldn't. Those women didn't tear the earth apart trying to find a way to get to their daughters? THOSE WOMEN JUST UP AND LEFT THEM, SAVED THEMSELVES, AND CROSSED THEIR FINGERS THAT THEIR DAUGHTERS WOULD BE OKAY IN A TOWN THAT SYSTEMATICALLY SLAUGHTERS WOMEN? And they didn't contribute to that same patriarchal system . . . how? Either they didn't want their kids and were really good at pretending, or they're just awful parents and probably shouldn't have had them to begin with.And then the climax of the story was just one giant deus ex machina. The only character who did anything to save anyone was Bo, and it wasn't even on page. Not that I need blood and gore and vicious revenge or anything. But to have that pivotal moment that actually did save the girls just be fade to black was mind boggling to me. The rest of it, the ghosts just randomly appeared after not being present aside from a faint whisper the entire story and led them out of town. WHY NOW? There was no answer for that other than because reasons. Because the book needed to end and there was no real way for them to get out except for those ghosts, I guess.The town itself is, as I'm lead to believe, inaccessible to people from the outside and people inside can't leave. So . . . everyone's inbred? How many people can possibly be in that town, let alone people who are capable of procreating something other than a Hapsburg? I wasn't under any impression that Bishop was anything other than a modern, albeit rural, town. If they're cut off, how are they stocking their shelves? How do they have cars? Cell phones? Computers? Televisions? How does any of this exist in this town? It didn't even have a paved road. And apparently no real medical anything. This doesn't make any sense.The characters themselves were largely interchangeable. Bo was the only one who really stood out because she had some anger issues. But only just. The four of them, plus the three mothers, didn't appear all that necessary as stand-alone characters. I had a hard time keeping track of who was who pretty much up until the end, again, aside from Bo. Same thing with the guys. Even now I don't remember which is Evan and which is Caleb. They were interchangeable in the story.I'm not sure what the selling point of this book is. I'm guessing the language it's written in, but it's not something that stands out. I didn't find it particularly flowery in a way that I would enjoy. I could see it was trying. But among the very poorly built world, the tired tropes, the lackluster motivations, and the bland characters, the most beautiful writing in the world wouldn't have saved it for me. WHERE DARKNESS BLOOMS was just a total disappointment. So much potential and the execution was just undercooked and unseasoned, at best.It has nothing but five star reviews on NetGalley. That is very much not the case on Goodreads.  So either I'm about to ruin its curve on NetGalley, or the publisher is deleting anything less than glowing reviews of this book. 🧐1I received a copy of this book from the publisher through NetGalley in exchange for an honest review.

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Neverest by TL Bodine

Pub date: April 25, 2023Publisher: Ghost Orchid PressAuthor: WebsiteInfo: Goodreads

One year ago, Sean Miller—journalist and mountain climbing enthusiast—reached the summit of Mount Everest and was never seen again. Unable to move on without knowing the truth of what happened, his widow Carrie insists on an expedition to search for Sean’s body so it can be properly laid to rest. Tom, Sean's best friend and former climbing partner, agrees to serve as expedition guide and promises to keep Carrie safe on the mountain, despite their complicated relationship history.Guided by a travel journal left behind by her husband, Carrie ventures into the frozen, open-air graveyard of the world's tallest peak. But as Sean’s diary and Carrie’s experiences reveal, climbing the mountain is more than a test of endurance; it’s a battle of wills with an ancient and hostile force protecting the mountain—and the dead do not rest easy at the summit. (goodreads.com)

I'd read Bodine's work before she asked me to blurb NEVEREST, so I was interested in seeing what she'd come up with next in this interesting horror story set on Everest. It's something different and intriguing and it captured my attention immediately. And it certainly didn't disappoint.One thing I've noticed about Bodine's writing is her ability to dig up the humanest of human emotions in her characters. To the point where they're almost unlikeable for how raw they react to situations. Yet at the same time they're so incredibly human that you can't help but empathize with them while you're reading. Carrie is no different as we sit on her shoulder and climb the mountain with her. She works through a rollercoaster of emotions as she grapples with her husband's death, and the guilt of some of her feelings toward him in the final handful of time before he died. At times cringey, but realistic to the point of hurting, I couldn't look away.Plus, there's this underlying low thrum of horror that simmers under the surface of the story. Right from page one there's a sense of foreboding as Carrie's plane comes in for a rocky landing. NEVEREST is definitely not a sun-shiny story, that's for sure! It's a horror that lurks in the corner of the eye, in reiterated tales of urban legends that live on only on people's tongues. Or in Carrie's case, in the works of her husband through his journal.The ending doesn't really give you that well-rounded solution to the story, but it's a fitting ending and I wouldn't have wanted it any other way. The horror is insidious that way, lurking just on the edges of the pages. It might peek it's finger in, but that's all you'll see of it. I love this kind of psychological horror that never gives you the satisfaction of a solid ending. That's the whole point, and it makes it all the creepier.NEVEREST was a ride of a story that had me flinching with every page turn because I kept expecting something to reveal, but she keeps the terror on simmer the whole time, allowing it to needle under your skin and fester. If you want a low-key yet mind-screwy king of horror, NEVEREST is the book for you!4.5

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